329:question:329--week_3_questions_comments-2026
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| 329:question:329--week_3_questions_comments-2026 [2026/09/10 06:56] – 104.131.24.154 | 329:question:329--week_3_questions_comments-2026 [2026/09/12 18:43] (current) – 104.131.24.154 | ||
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| The //Last of the Mohicans// provides a general sense of the French and Indian War, though the role of Native Americans and the war itself is mostly background to the love story between Cora and Hawkeye. Several aspects of the movie are historically correct. The French siege of Fort William Henry is mostly realistic. For example, the French did use thousands of Native Americans to bolster its forces. British Colonel Munro commanded the fort, used colonial militia to help defend the fort, and had to surrender because General Webb refused to send reinforcements. French General Montcalm allowed Munro to depart the fort with honor. Though the movie does correctly portray Native Americans as playing a crucial role in the French and Indian War, it does not fully explore the motivations of certain tribes for allying with either the French or the British. - Charles S. | The //Last of the Mohicans// provides a general sense of the French and Indian War, though the role of Native Americans and the war itself is mostly background to the love story between Cora and Hawkeye. Several aspects of the movie are historically correct. The French siege of Fort William Henry is mostly realistic. For example, the French did use thousands of Native Americans to bolster its forces. British Colonel Munro commanded the fort, used colonial militia to help defend the fort, and had to surrender because General Webb refused to send reinforcements. French General Montcalm allowed Munro to depart the fort with honor. Though the movie does correctly portray Native Americans as playing a crucial role in the French and Indian War, it does not fully explore the motivations of certain tribes for allying with either the French or the British. - Charles S. | ||
| - | In contrast to the recently previewed film, Pocahontas (year), The Last of the Mohicans is a significantly more reputable secondary source, depicting a series of historical events—such as the famed surrender of Fort William Henry—pertaining to the French and Indian War. Most notably, beyond the film's romantic subplot between the fictional Hawkeye and Cora Munro, it displays multiple instances of relatively civil diplomatic relations between the French and the Mohicans. A scene is similarly depicted through correspondence between Christian Frederick Post and Shingas, Tamaquea, and other Delawares, dubbed the Response to the Moravian Ambassador (1758): “It is told to us that you and the French contrived the war, to waste the Indians between you; and that you and the French intend to divide the land between you…Brother, | + | In contrast to the recently previewed film, Pocahontas (year), The Last of the Mohicans is a significantly more reputable secondary source, depicting a series of historical events—such as the famed surrender of Fort William Henry—pertaining to the French and Indian War. Most notably, beyond the film's romantic subplot between the fictional Hawkeye and Cora Munro, it displays multiple instances of relatively civil diplomatic relations between the French, British colonialists, |
| The Last of the Mohicans depicts the social dynamics between the British military, British colonists, and Native Americans that existed at this point in colonial history. Early on into the movie there' | The Last of the Mohicans depicts the social dynamics between the British military, British colonists, and Native Americans that existed at this point in colonial history. Early on into the movie there' | ||
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| During the meeting when it's being discussed where to send Duncan, the comment is made about the British being " | During the meeting when it's being discussed where to send Duncan, the comment is made about the British being " | ||
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| + | Throughout the film, Magua is deliberately depicted as the “savage” in stark contrast to Hawkeye’s “noble” characterization. Although I do appreciate the centering of Native American (specifically Mohican and Heron) power dynamics in this narrative, it is obvious that the film’s central and compelling conflict relied heavily on the concept of there being a “good native” versus a “bad native.” Truthfully, Magua’s alliance with the French isn't inherently " | ||
| ======How does the film’s overall interpretation(s) deviate from scholarly historical sources (as presented in class)? | ======How does the film’s overall interpretation(s) deviate from scholarly historical sources (as presented in class)? | ||
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| The Last of the Mohicans works as a primary source because it shows what people in the early 1990s wanted history to feel like—dramatic, | The Last of the Mohicans works as a primary source because it shows what people in the early 1990s wanted history to feel like—dramatic, | ||
| - | To me, the film reflects the post-Cold War interest in the romanticization of the “American spirit.” The film’s high-production value, cinematography, | + | To me, the film reflects the post-Cold War interest in the romanticization of the “American spirit.” The film’s high-production value, cinematography, |
| ======The "So What" Question -- Why should we care about the movie and its version of history? | ======The "So What" Question -- Why should we care about the movie and its version of history? | ||
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