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| 329:question:329--week_3_questions_comments-2020 [2020/09/08 09:46] – [V. The "So, what?" question] jmcclurken | 329:question:329--week_3_questions_comments-2020 [2020/09/08 14:44] (current) – 141.156.184.184 |
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| The movie works as a secondary source in that it does capture some of the broad strokes and complexities of the French and Indian War, specifically around the battle of Fort William Henry. **It provides a visual, though I'm certain not entirely accurate, of frontier life and also the warfare of the period through showing the siege of the Fort. While it still seems to make a clear villain in that of Moncalm and Magua, the movie does make some attempt at displaying the motivations and perspectives of multiple sides throughout the event.** It very clearly supports the perspective of the American colonists and **in the film lays the foundations for what will eventually be the American Revolution through the distrust and frustration of the New York colonists in the militia who want to protect their families but are prevented through threat of force**. It definitely **makes an effort to portray the difference in the Native American groups and their relations with the various European parties, but seems to paint the majority of them as the violent followers of Magua and other warring parties for the French, whereas the only "noble" or "honorable" Native Americans are basically led by Hawkeye (or Nathaniel) - a white captive raised by the Mohicans.** It is by no means a comprehensive or stand alone source, but paired with other historical sources, primary and secondary, can defintitely help to provide a better understanding of the conflict and what fighting may have looked like and to perhaps generate interest in further studying the war. As a standalone, **it presents a conflict in which the only noble or moral side really seems to be the American colonists who are just protecting their families and are caught in a conflict that is not their own (despite that it is partially their doing in the first place in the actual history) while the British forced them to sacrifice their families for the crown, the Native Americans just want blood and vengeance, and the French manipulate and backstab throughout.** Thus on its own, the film creates a very biased view of the conflict but paired with adequate research and recognition of its inaccuracies it could help students to better visualize what the fighting may have looked like at this period. - Ashley Dimino | The movie works as a secondary source in that it does capture some of the broad strokes and complexities of the French and Indian War, specifically around the battle of Fort William Henry. **It provides a visual, though I'm certain not entirely accurate, of frontier life and also the warfare of the period through showing the siege of the Fort. While it still seems to make a clear villain in that of Moncalm and Magua, the movie does make some attempt at displaying the motivations and perspectives of multiple sides throughout the event.** It very clearly supports the perspective of the American colonists and **in the film lays the foundations for what will eventually be the American Revolution through the distrust and frustration of the New York colonists in the militia who want to protect their families but are prevented through threat of force**. It definitely **makes an effort to portray the difference in the Native American groups and their relations with the various European parties, but seems to paint the majority of them as the violent followers of Magua and other warring parties for the French, whereas the only "noble" or "honorable" Native Americans are basically led by Hawkeye (or Nathaniel) - a white captive raised by the Mohicans.** It is by no means a comprehensive or stand alone source, but paired with other historical sources, primary and secondary, can defintitely help to provide a better understanding of the conflict and what fighting may have looked like and to perhaps generate interest in further studying the war. As a standalone, **it presents a conflict in which the only noble or moral side really seems to be the American colonists who are just protecting their families and are caught in a conflict that is not their own (despite that it is partially their doing in the first place in the actual history) while the British forced them to sacrifice their families for the crown, the Native Americans just want blood and vengeance, and the French manipulate and backstab throughout.** Thus on its own, the film creates a very biased view of the conflict but paired with adequate research and recognition of its inaccuracies it could help students to better visualize what the fighting may have looked like at this period. - Ashley Dimino |
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| **The film presents a fabricated story of romance with a historical backdrop showcasing the French and Indian war.** The film draws upon the historical record as it showcases the battle at fort Ticonderoga. The benevolent French terms for British surrender, the prevalent use of Indians by the French in Canada, and the Indian attack on the retreating British forces. The costumes utilized in the film seemed rather accurate for the period overall. The assault on British troops in the beginning of the film highlighted a major difference between the Indian guerrilla tactics and the British traditional fire lines. **The fading away of the Mohicans also seemed to be used to indicate the plight of the Indians as the Mohicans’ involvement in the conflict literally resulted in the son dying.** The film does a decent job showing the period even if its plot is far from based on any records. The use of the film as a secondary source would be inadvisable if one would seek to rely on any aspect of the film despite the visual elements and basic concept of the battle at Ticonderoga. The characters and events have been crafted to build a story that looks historical while not really being usable to better understand the past. –Robert Keitz | **The film presents a fabricated story of romance with a historical backdrop showcasing the French and Indian war.** The film draws upon the historical record as it showcases the battle at fort William and Henry. The benevolent French terms for British surrender, the prevalent use of Indians by the French in Canada, and the Indian attack on the retreating British forces. The costumes utilized in the film seemed rather accurate for the period overall. The assault on British troops in the beginning of the film highlighted a major difference between the Indian guerrilla tactics and the British traditional fire lines. **The fading away of the Mohicans also seemed to be used to indicate the plight of the Indians as the Mohicans’ involvement in the conflict literally resulted in the son dying.** The film does a decent job showing the period even if its plot is far from based on any records. The use of the film as a secondary source would be inadvisable if one would seek to rely on any aspect of the film despite the visual elements and basic concept of the battle at the fort. The characters and events have been crafted to build a story that looks historical while not really being usable to better understand the past. |
| | –Robert Keitz |
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| The Last of the Mohicans did a decent job of making a fictional story set to a historically accurate backdrop. ** There were obvious Hollywood moments, such as the (miraculously rapid) love story of Hawkeye and Cara,** but they were balanced by moments of accurate historical conflict. **The concept of British/French warfare was a bit exaggerated as during the first attack the British are seen lining up to fire into the woods. However, this did convey that they were in a foreign place completely unprepared in a creative light. ** The alliance between the Natives and England/France was overall accurate though the Huron were clearly portrayed as the “more savage” Natives and the few remaining Mohawk as best friends with white people. The biggest flaws were done in sacrifice to plot and audience as scenes such as the final Mohawk being Chingachgook who had just lost his only son. One scene that particularly interested me was when we saw the murder scene of the colonist’s family. It is noted that nothing was taken including clothing, which implied that it was not the act of Natives. I don’t believe this really comes up again apart from when Hawkeye tries to tell Munro that colonists are at risk, but it is interesting because it shows that the French could be disguising their ambushes on “innocent” (they are still invaders) colonists by making it appear to be that of Natives. -- Janis Shurtleff | The Last of the Mohicans did a decent job of making a fictional story set to a historically accurate backdrop. ** There were obvious Hollywood moments, such as the (miraculously rapid) love story of Hawkeye and Cara,** but they were balanced by moments of accurate historical conflict. **The concept of British/French warfare was a bit exaggerated as during the first attack the British are seen lining up to fire into the woods. However, this did convey that they were in a foreign place completely unprepared in a creative light. ** The alliance between the Natives and England/France was overall accurate though the Huron were clearly portrayed as the “more savage” Natives and the few remaining Mohawk as best friends with white people. The biggest flaws were done in sacrifice to plot and audience as scenes such as the final Mohawk being Chingachgook who had just lost his only son. One scene that particularly interested me was when we saw the murder scene of the colonist’s family. It is noted that nothing was taken including clothing, which implied that it was not the act of Natives. I don’t believe this really comes up again apart from when Hawkeye tries to tell Munro that colonists are at risk, but it is interesting because it shows that the French could be disguising their ambushes on “innocent” (they are still invaders) colonists by making it appear to be that of Natives. -- Janis Shurtleff |
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| | The Last of the Mohicans did a good job of depicting frontier life. Although not all of the characters were real people, the movie was based on a book and still did a good job of developing the characters that they used. In many movies depicting Native Americans, Native Americans end up being a trope, we don't get to see them fighting back, but we see them being docile and fine with their world collapsing around them. I think it was good to see a movie that focused on the fact that Native Americans cared about their land and fought for their interests, because so often in Hollywood they like to skip over that part of history. --Helen Dhue |
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| ====== II. Problems with historical accuracy? Errors in fact? ====== | ====== II. Problems with historical accuracy? Errors in fact? ====== |
| Steele, Ian K. "Suppressed Official British Report of the Siege and "Massacre" at Fort William Henry, 1757." Huntington Library Quarterly 55, no. 2 (1992): 339-52. - Wilson LeCount | Steele, Ian K. "Suppressed Official British Report of the Siege and "Massacre" at Fort William Henry, 1757." Huntington Library Quarterly 55, no. 2 (1992): 339-52. - Wilson LeCount |
| ====== III. How does the film’s overall interpretation(s) deviate from scholarly historical sources? ====== | ====== III. How does the film’s overall interpretation(s) deviate from scholarly historical sources? ====== |
| | The film deviates away from scholarly sources and from historical accuracy in general by adding several characters and events that did not exist at the time, including Colonel Monro's daughters and Nathaniel Bummpo. The manner in which Colonel Monro dies is also a deviation from scholarly sources, as according to most accounts the Colonel died in Albany following the massacre after the Siege of Fort William Henry, and was not killed by any Native named Magua or had his heart cut out. ---- AJ DeGeorge |
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| ====== IV. How does this movie work as a primary source about the 1990s or the filmmakers? ====== | ====== IV. How does this movie work as a primary source about the 1990s or the filmmakers? ====== |
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| This film would make an excellent source for a study in film making, the nineties and casting. **By the nineties Hollywood was being to get drilled for their history of whitewashing. I believe there was real intention to make the casting of this film authentic, as Native Americans were finally getting the roles of Native Americans (how progressive). However, the storylines of the white characters versus those of the Natives was grossly contrasted.** I have not read the book or seen other adaptions of it, so I suppose I will give some leeway in that there was already a story written that needed to be followed. Yet this storyline was made for a particular audience and therefore is full of Hollywood tropes and flaws. The concept of two white people falling in love and ultimately surviving to presumably be together is completely insensitive to the backdrop of Natives, and colonists, being brutally killed. There is also a sense of “otherness” as the Natives are seen as “savages” and the whites as misguided foreigners. **The scene of Magua literally ripping out Munro’s heart was not necessary in anything other than making his character “really scary”.** I do think this film would be interesting to compare with the earlier adaptions to see how far Hollywood had evolved, but it still has some of the old flaws. -- Janis Shurtleff | This film would make an excellent source for a study in film making, the nineties and casting. **By the nineties Hollywood was being to get drilled for their history of whitewashing. I believe there was real intention to make the casting of this film authentic, as Native Americans were finally getting the roles of Native Americans (how progressive). However, the storylines of the white characters versus those of the Natives was grossly contrasted.** I have not read the book or seen other adaptions of it, so I suppose I will give some leeway in that there was already a story written that needed to be followed. Yet this storyline was made for a particular audience and therefore is full of Hollywood tropes and flaws. The concept of two white people falling in love and ultimately surviving to presumably be together is completely insensitive to the backdrop of Natives, and colonists, being brutally killed. There is also a sense of “otherness” as the Natives are seen as “savages” and the whites as misguided foreigners. **The scene of Magua literally ripping out Munro’s heart was not necessary in anything other than making his character “really scary”.** I do think this film would be interesting to compare with the earlier adaptions to see how far Hollywood had evolved, but it still has some of the old flaws. -- Janis Shurtleff |
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| | I thought this film handled history better than Pocahontas, though it still had its flaws. I think what was good about "The Last of the Mohicans" was that it gave Native Americans more autonomy than many other films, often films reflect the stereotype that Native Americans let settlers just come in and take their land, but in this movie, we got to see the fight and we got to see Native Americans looking out for their own interests. Although I know the movie is based on a book, I did find it interesting that Hollywood decided to show the Native perspective mainly through a white guy, which I don't think would go over well today. --Helen Dhue |
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| ====== V. The "So, what?" question ====== | ====== V. The "So, what?" question ====== |
