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329:question:329--week_12_questions_comments [2016/11/17 05:44] – [2 Things the Movie got right] ccooney | 329:question:329--week_12_questions_comments [2016/11/17 07:46] (current) – [6 The So, what? question] khaynes3 | ||
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Similar to how everyone else has been harping on Miriam Thompson' | Similar to how everyone else has been harping on Miriam Thompson' | ||
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+ | One of the things I began to notice as the film continued was that it seemed to be more of a character revolution for Miriam than it was for the people actually participating in the movement. It touched on how Odessa felt liberated but placed a stronger emphasis on the liberation that the white woman went through. I wish that the film placed more of an emphasis on the black perspective as this is a story that should be told from their narrative, but if the films goal was to instead portray how the movement also influenced whites to join the cause, I suppose that it did the job. One of my favorite moments was when Miriam insisted that she wanted to do what she could to help. I think that this is an important lesson for us to take with us as we progress through life, to be cognisant that change is still needed and that we can all play a role to some extent. --- // | ||
====== 2 Things the Movie got right ====== | ====== 2 Things the Movie got right ====== | ||
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A sad reality of the times was that the education standards at the Black Only schools were lacking, evidenced by the Cotter boys having some difficulty reading. Now, I will freely admit that this might just because of my southern upbringing completely clouding reality, but the manner that the Thompson children and even Mrs. Thompson treated Odessa seemed relatively accurate from what I know of some middle class families. Oftentimes in families such as that, the mother would be busy with social events and community work during the day, so the bulk of child rearing may fall to their maids meaning that the mothers might be somewhat out of touch with their children (as evidenced by how Mrs. Thompson had no idea what her eldest daughter' | A sad reality of the times was that the education standards at the Black Only schools were lacking, evidenced by the Cotter boys having some difficulty reading. Now, I will freely admit that this might just because of my southern upbringing completely clouding reality, but the manner that the Thompson children and even Mrs. Thompson treated Odessa seemed relatively accurate from what I know of some middle class families. Oftentimes in families such as that, the mother would be busy with social events and community work during the day, so the bulk of child rearing may fall to their maids meaning that the mothers might be somewhat out of touch with their children (as evidenced by how Mrs. Thompson had no idea what her eldest daughter' | ||
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+ | Whites are accurately presented as being politically connected. Early in the film, Miriam contacts the police department and pulls strings to get the officer to apologize to Odessa. This connectedness gets uglier as the film progresses, as we see the Council meeting later on. I remember seeing footage of similar meetings in school and on the History Channel, where people like Father Charles Coughlin would give speeches to large crowds of white men. The men in the Council are white small business owners of Montogomery, | ||
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====== 3 Questions about interpretation ====== | ====== 3 Questions about interpretation ====== | ||
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One issues that the movie addressed really well was the uneasiness of wanting to support of the boycott. It was clear in the movie that some knew that it was going to be difficult and something that really didn’t want to do.Another point that was portrayed well was closeted supporters. Miriam, during Christmas, knew that she had to keep her thoughts to herself. She tells Mary Catherine that she cannot tell her dad and she looks at Odessa pleading for her not to tell that she has been giving rides. Supporters who decided to stand with the cause only when it was convenient for them were as much the problem was those who were outright against desegregation. | One issues that the movie addressed really well was the uneasiness of wanting to support of the boycott. It was clear in the movie that some knew that it was going to be difficult and something that really didn’t want to do.Another point that was portrayed well was closeted supporters. Miriam, during Christmas, knew that she had to keep her thoughts to herself. She tells Mary Catherine that she cannot tell her dad and she looks at Odessa pleading for her not to tell that she has been giving rides. Supporters who decided to stand with the cause only when it was convenient for them were as much the problem was those who were outright against desegregation. | ||
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+ | I thought it was interesting that the film touched on, but didn't really explicitly say, that the Civil Rights movement at this time was very religiously oriented and began with church groups in the South. Dr. Martin Luther King, Jr. was a reverend, and many of the early Civil Rights leaders were religious leaders. In one scene we see the Council meeting juxtaposed to the church meeting with a cross hanging above the pulpit in the middle of the screen. But at no point do we see the groups really doing much outside of the church besides waiting for rides at the carpool lot. In the end, we hear the women at the carpool lot sing a hymn. I wasn't sure if the filmmakers felt they adequately addressed this part of history through imagery and the church meetings, or if they wanted to avoid making that aspect of the history too explicit so as not to divide their audiences in 1990. | ||
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+ | What significance did Mary Catherine’s older sister play? Was it stated what college she went to? She made a few negative comments about her hometown not being progressive or it was stuck in the past, or something to that effect. --- // | ||
====== 4 Movie as a Primary Source about the time in which it was made ====== | ====== 4 Movie as a Primary Source about the time in which it was made ====== | ||
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The movie is a good primary source on the 1990’s because the movie focused on African Americans during Civil Rights but did so through the eyes of a white girl. The film was progressive enough to show the African American side of things, but still rooted in the past enough that it had to so by focusing on the white characters. --- // | The movie is a good primary source on the 1990’s because the movie focused on African Americans during Civil Rights but did so through the eyes of a white girl. The film was progressive enough to show the African American side of things, but still rooted in the past enough that it had to so by focusing on the white characters. --- // | ||
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+ | **I agree with Christian. I think that this film would have been considered progressive for the 90s but because it decided to mainly focus on a middle class, privileged white woman and how her world was shaken up by the Montgomery Bus Boycott. That being said, I do also think that they developed the characters of Odessa' | ||
People who were born in the late 1940s would have been about the same age as Mary Catherine. They would have been able to relate to her experience seeing the South change and this would have been very different from movies produced during their parents' | People who were born in the late 1940s would have been about the same age as Mary Catherine. They would have been able to relate to her experience seeing the South change and this would have been very different from movies produced during their parents' | ||
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I think the film got right Southern white womens’ place, subordinate to her husband. While I can definitely see the ‘90s intermingling with the plot, mainly the hint of feminism without being directly overt about it. However, I think Miriam’s fear of her husband was very real. Her husband served as the provider of her house and therefore she had to conform to him. She was supposed to be seen as pristine because she’s white and when they raid the carpool place, they equate her as black. | I think the film got right Southern white womens’ place, subordinate to her husband. While I can definitely see the ‘90s intermingling with the plot, mainly the hint of feminism without being directly overt about it. However, I think Miriam’s fear of her husband was very real. Her husband served as the provider of her house and therefore she had to conform to him. She was supposed to be seen as pristine because she’s white and when they raid the carpool place, they equate her as black. | ||
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+ | I thought it was interesting that they never showed MLK Jr. I suppose that was to focus on the story at hand and not be another piece of media focusing on MLK. I really liked Miriam finding her place in the struggle for race equality. Seeing the two women, dealing with the same social problem in two different aspects was good from a historical perspective because the story is less one-sided. |
329/question/329--week_12_questions_comments.1479361497.txt.gz · Last modified: 2016/11/17 05:44 by ccooney